Here’s my top ten games played in 2016, presented in the order in which I played and/or beat them. Following each title is the developer/author, the platform I played the game on, the release year on said platform, and a little bit about why it has made this list. As with last year’s Selections, these games aren’t ranked, except for my personal Game of the Year and its runner-ups (the entries this time are a little less wordy, however). I have also added some Honorable Mentions at the beginning, since I played a lot of good stuff this year and didn’t want to overlook certain titles. Anyway, let’s get to it…
– Gurumin: A Monstrous Adventure – for its appealing main character, and being the type of “b-game” that lingers in my mind long after finishing.
– Firewatch – for its incredible sense of place, and realistic characters.
– Bravely Default – for its masterful battle and character customization systems, and outstanding art direction.
– Pokemon Blue Version – for being a deeper-than-expected foundation, and Professor Oak’s nephew, the antagonist I loved to hate more than any other this year.
– Phoenix Wright Ace Attorney: Spirit of Justice – for returning the series to form, and bringing the “Justice Trilogy” to a satisfying conclusion.
There’s also a few great games which I played this year but didn’t beat or play enough of to consider for this list: Spelunky, Project CARS, and Picross 3D Round 2.
Diablo III: Ultimate Evil Edition Blizzard Entertainment | Xbox 360 | 2014
Playing a Diablo-style action RPG on a console, with my co-op partner sitting right next to me, is a wonderful experience I wish I could have more often. What’s most remarkable is that it happened with an actual Diablo game. The story is typical Metzen Cheese™, but told within suitably epic trappings and with a satisfying loop of fight and loot. For a console version of a very PC-centric game, the controls are remarkably good as well: somewhat complex, but thought out well enough that they soon become second nature. I do wish there was more variety in the loot available in the Resurrection of Evil expansion, and there’s only so much Metzen Cheese™ one can take at a time, but if you’re looking for a solid couch co-op game, this is one which I highly recommend.
Kero Blaster / Pink Hour / Pink Heaven Studio Pixel | Windows | 2015
Pixel’s follow-up to his masterpiece Cave Story is a run-and-gun shooter with a slightly more whimsical tone. In this outing, a frog gets teleported out onto the field to complete cleanup missions for his employer, but in the meantime, a problem manifests itself in the boss’ office. Despite the switching up of genres, the action should be familiar to anyone who has played Cave Story, and even improves on it in some small, but welcome, ways. Kero Blaster is, flat-out, a joy to play, and its two free tie-in games, Pink Hour and Pink Heaven, are worth checking out as well.
NiGHTS into Dreams… / Christmas NiGHTS Sonic Team | Windows | 1995-96 (Windows port: 2012) NiGHTS is the strangest game I played all year. It’s a mascot platformer with not much use for platforms; instead, the title character flies and floats around dense dreamscapes. I found the game disorienting at first, but once I got the hang of things, it was like nothing else. It is also not as difficult as certain similar games of its era, so despite one or two frustrating bits, I was able to beat it. One of the bonus features in the PC version of NiGHTS is Christmas NiGHTS. More than just a reskin of NiGHTS‘ opening areas, it is a charming demo with a standalone story and plenty of holiday spirit.
Undertale tobyfox | Windows | 2015
I don’t know what’s left to say about Undertale at this point. The characters are marvelous and true to life, and the plot slots them into archetypal JRPG roles in interesting ways (this is particularly true of Alphys). There is humor galore, from meme-ready running gags, to more traditionally funny scenes, to a certain unexpected and hilarious parody. There is also tons of heart, in several ways. Its fandom is crazy about this game and after one playthrough, and then another, it became easy for me to see why.
Doom id Software | Windows | 1993-95 (via Doom 3: BFG Edition, 2012)
Playing Doom—and beating all of its episodes for the first time—ended up being more than just a nostalgia trip. Despite the lack of modern niceties such as aim assist, weapon customization, and jumping, it plays just as well, and is as enjoyable and engrossing, as back in ’93. The only real low point is Episode IV, first introduced in The Ultimate Doom and included here, but even that would be a solid set of maps in most any other FPS. Doom is, and always will be, just that good.
Bejeweled 3 PopCap Games | Windows | 2010
A modern classic of match-three puzzling, with a sufficient amount of strategic depth and wealth of variant modes to keep things interesting, from the frantic (Ice Storm) to the relaxing (Poker). The epic music and voice-over were unintentionally funny to me at first, but after spending many hours switching gems around, I can’t imagine the game without them. Bejeweled 3 ended up hooking me so much that it became one of a small number of PC games which I felt compelled to get all the achievements in.
Catlateral Damage Chris Chung/Fire Hose Games | Windows | 2015
If you ever need something cathartic—no pun intended—to play for a few minutes or longer, I heartily recommend Catlateral Damage. It’s a first-person cat simulator where the goal is to knock everything onto the floor. The main campaign is short, but there is a decent amount of stuff to do and see, including some nifty themed maps, unlockable cat photos and playable cats, cat toys that grant stat boosts, and special limited-time events, like low gravity and chasing laser pointer dots. Playing a misbehaving cat is, as it turns out, an enjoyable way to pass some spare time.
Third Place Pokemon GO Niantic/The Pokemon Company | iOS | 2016
Looking at this strictly in terms of mechanics, and especially when it’s compared to its primary source of inspiration, Pokemon GO may be the worst game on this list. However, for me, it has also been one of the most engaging of the past year. There is something intriguing about going out into the real world to catch Pokemon and use them to fight at gyms. The team system encourages local rivalries, and periodic updates and special events have generally made the game better since it first launched. I currently have most of the Pokedex filled, plus a pretty beefy team of gym-fighting regulars, so I’ve lapsed a bit in my playing, but for much of the summer and fall, Pokemon GO proved to be a great way to get me out of the house for some simple exercise for an hour or three. If more second-generation Pokemon get added, I’d probably continue to do the same in 2017, since I’d love to see Skarmory, Marill, and other favorites in my ‘dex.
Second Place DOOM id Software | Windows | 2016
It feels odd to place this above the original Doom, which is one of the greatest and most important games ever made. However, in terms of how much I was captivated by each game I played this year, I feel that this new one deserves its place. It is, more than anything else, bone-crunching, and also metal, and at times quite witty. As a character, the Doom Marine is stellar, a silent first-person protagonist who brims with personality through mere eyelines and hand movements. The world he inhabits is sprawling, with some (mostly) cleverly hidden secrets, and incorporates the best ideas from all the previous numbered entries in the series and then some. The gameplay, and gunplay, is exhilarating, with one of my favorite parts being an ammunition and health drop system which, amongst other things, means one no longer has to hoard BFG ammo. It is everything I have loved about Doom made modern, and might be the finest single-player FPS campaign of all time.
First Place: Game of the Year Her Story Sam Barlow | Windows | 2015
My Game of the Year was decided early on. Rarely have I come across a game narrative that’s so pulpy, with so many what the fuck moments as in Her Story. It is very, very difficult to talk about why this is without giving anything away, especially that one word I felt compelled to search for after watching a certain amount of video, that one word which means so much to the plot.
First, let’s back up a little. In Her Story, you are an unknown and unseen person who is sifting through interview clips stored on a long-neglected police database. You start with the word “MURDER”. The interviewee is the wife of the victim. To progress, searching for additional clips through keywords, piecing events together along the way, is key. However, even after seeing the clip needed to trigger the option to end the game, it’s hard not to keep going, and yet, some hard answers remain just out of reach. I’ve seen every single snippet of video in Her Story and am still not entirely sure of what has happened. This is a game tailor-made for people who enjoy theorizing over vague endings, and love mysteries in general.
If you’ve been reading this blog for awhile, you may have noticed that I’m a stickler for good storytelling in games. Some of the games on this list, particularly Undertale and DOOM, have very good stories, but nothing like this. Her Story is a must-play achievement in narrative games, one that excels in both concept and execution.
March has been a mixed bag of a month. Between Daylight Savings, the fluctuating weather, and other circumstances, I wasn’t sleeping well for awhile, but now I’ve more or less adjusted. My comics backlog has grown bigger thanks to a big shipment of manga from Right Stuf, a couple of used bookstore pickups, and the arrival of a certain long-awaited graphic novel. I’ve also started trying out some new recipes for a change.
As for gaming, that’s been going more or less okay since my last post here, and the games themselves have been about as much of a mixed bag. I beat Disgaea 3; the ending was all right, though since learning that the sidequests are as grindy as expected, I officially put it down not long after. Before that, I went back to and finally beat Legend of Dungeon, using a class I hadn’t given a second thought to before; it’s still not at version 1.0 yet, but I’m just glad to be done with a second roguelike/like this year. Speaking of which, I took up Spelunky again and made quite a bit of progress, though it will be a long time until I actually beat it.
In addition to continuing on with Bravely Default and picking up Dance Dance Revolution SuperNOVA 2 again, that about wraps it up for February. Moving on to March, the first game I beat this month was the hot new release Firewatch. It is a beautiful and (mostly) well-crafted game, though a little bit of a victim of its own hype. The story is not mind-blowing but still decent; the save system leaves much to be desired; and the characters, music, and so forth were well done; but the real star in this game is the environment. Firewatch is set on a small parcel of US National Park land, and each little area within is distinctive in many ways. Aside from the climbing rocks (which are especially gamelike in a certain part), the wilderness here feels like a real place, and is easily the best thing about Firewatch.
This was not, however, the first game I started in March. That honor goes to Pokemon Blue Version, which, along with Red and Yellow, came out on the 3DS Virtual Console on the date of the series’ 20th birthday. Pokemon’s first generation is the only one I hadn’t played in some form, and, given how pricey original cartridges of that gen and its remakes can be, was one I hadn’t planned on ever playing until the Virtual Console announcement was made. I’m currently up to three gym badges and am not far from getting the fourth. It’s been interesting to see the roots of the series: the Pokemon, items, gyms, HMs, and all the other little things one becomes accustomed to seeing in the games. Some of the things that were different were just as surprising; for instance, most of the Pokemon don’t have listed genders, nor is the indicator for whether or not you’ve already caught a certain type present. The player character’s rival is also far more obnoxious than they would be in later series entries, and there is also a greater emphasis on filling up the Pokedex. In general, it’s all still both fun and tedious in its telltale ways; twenty years on, the core of what makes Pokemon Pokemon hasn’t changed much.
Next up would be the third RPG I’m currently playing: Diablo III, via the Ultimate Evil Edition on 360. After trying out a handful of different classes, bitprophet and I settled on a wizard and a monk (respectively) and started our adventure to investigate a fallen star and the prophecy it portends. It’s the loot-heavy, lore-heavy action RPG that you’d expect, and it’s looking to be quite long, as well.
Needing a break from RPGs for a little while, I recently started delving into some shorter games in other genres. First up was Hatsune Miku: Project DIVA F. This was my first time playing a Hatsune Miku Project game that’s specifically in the DIVA series, and, sadly, it was not as much fun as Project mirai DX. The difficulty is brutal, the small button icons can frequently get lost in the music video chaos on-screen, and there’s a handful of aesthetic issues that prevent me from enjoying it as much. Chief among these is the tracklist, which is on the weaker side overall, and weighs heavily on more offbeat songs toward the end. A lesser quibble I have is that the “modules” specific to each song are locked from the outset, which means Miku and company perform in their default outfits whenever a track is played for the first time. This is okay for many tracks, but does not work as well with others, especially the elaborate period piece “Senbonzakura”. After unlocking all the songs on Easy, I was ready to set Project DIVA F aside and move on to something else.
The next day, I started Kero Blaster, which is by Cave Story‘s Studio Pixel. It’s much more linear, for better or for worse, than Cave Story, and also more lighthearted, but maintains that same feel otherwise. The characters are all down to earth, moving and shooting are handled well (there’s even a bubble-based weapon that’s actually useful), and the levels are sufficiently challenging. I highly recommend it to anyone who likes old school-style “run and gun” side-scrolling games, and to fellow Cave Story fans especially. There are also two (very charming) free games, titled Pink Hour and Pink Heaven, that serve as demos of sorts for Kero Blaster, though you could also play them afterward, as I did.
Finally, there’s the two classic titles I started yesterday: Professor Layton and the Curious Village and the HD version of NiGHTS into Dreams… The former is my first Layton game, and might also be my last; it’s decent for what it is—a collection of brainteasers in a story wrapper seemingly inspired by European comics—but I’m not exactly hooked. I’m only about a couple of hours in, so maybe I’ll change my mind later on, but I kind of doubt it. Meanwhile, NiGHTS, which I ended up beating earlier today, is a slick-for-its-time 3D action experiment. Its so different from any other game that’s been made, I’m not sure if it has aged poorly or well. The camera’s a little iffy (though not as bad as in certain later Sonic Team games), the story’s more convoluted and strange than average, the routes through the levels can be tricky to navigate, and the game as a whole is short, but it’s got a certain flair which makes it impossible to dislike. Even more appealing is an unlockable bonus in the form of Christmas NiGHTS, one of the most famous and unique game demos ever made. This demo takes one of the first stages of NiGHTS and dresses it up with a Christmas theme, complete with a separate story to go along with it. Unfortunately, unlike the main game, the original Saturn version of Christmas NiGHTS is not included as a playable option.
That’s about all I’ve been up to lately, gaming-wise. With Kero Blaster and its spinoffs, I decided that it might be a good idea to dedicate my weekends to an indie/doujin game (or two) of a reasonable length, which would help me churn through more of my backlog, at the very least. At the moment, I’m considering my options for this coming weekend, and there are a lot of them. I should also get back to the RPGs in between those indies and sessions with Professor Layton. One of my major backlog goals for this year is to put a dent in the number of RPGs I have sitting around unplayed, but I was not expecting Bravely to be this long. Perhaps I’ll have it beaten by next month. Either way, I have no idea which RPG I would want to play next.
Ever since late January, Shin Megami Tensei: Persona 4‘s been eating up most of my gaming time. I finally beat it yesterday, but am going to put off writing about it for now (and I will write about it, promise) to get some reviews out of the way. Like the previously reviewed Paper Mario: Sticker Star, these are all games which I played when I was not preoccupied with Persona 4.
Before that, though, I just want to note that the links page has been updated for a couple of friends’ sites and a Let’s Play. I also want to note that the Kickstarter for “Frog Fractions 2” is currently going on and that you should pitch in, if you haven’t already. That’s all for now, so let’s get to it…
After beating Sticker Star, it would seem odd that my next “secondary” RPG would be another one based around platformer mascot characters, but that’s what it was. Sonic Chronicles, which is perhaps most famous for being made by BioWare, is the first and only RPG in the Sonic franchise. Given the rocky history of Sonic games and the unusual choice of developer, I both wasn’t quite sure what to expect and didn’t keep my hopes up. This proved to be a wise tactic.
Sonic Chronicles follows the title hedgehog and his friends on a quest to rescue a kidnapped Knuckles from a group called the Nocturnus, and eventually, save a whole lot more. It uses some prominent bits of Sonic lore in telling its tale, and many series regulars make appearances, including Amy, Shadow, Big, and Cream. There are dialogue trees sprinkled throughout, though they don’t really affect what direction the story takes, as well as a sprinkling of humor and pop culture references (the Soundgarden one was the most out-of-left-field of the latter). Aside from some bits of dialogue that could’ve done with much tighter editing, and every single human NPC being a white male of some sort, the story works well enough, both for the Sonic universe and in general.
However, the game controls in exactly the way one would expect from a big-name developer who had never made a DS title before: every action requires touchscreen input, including starting the game. There are only two actions that have button-based alternatives (the field abilities and opening the menu), but if one has to use a stylus for everything else anyway, there’s no point in using anything else. This touchscreen gameplay is fine for the most part, but gets tricky when using the special POW abilities during battle, all of which require precise timing. Most POW moves will thankfully let you do at least some damage if you mess up the inputs, but healing and other support actions will fail outright in such cases. This being the case, the support characters are pretty much useless until one obtains a certain very rare Chao which lets you bypass the timed inputs—and even then, it’s not guaranteed that you’ll ever be able to get this Chao, as which ones hatch from what eggs is apparently random.
The rest of the game is a mix of polished and clunky. For example, while some of the music sounds fine, albeit generic, other pieces are dinky and an embarrassment to the franchise; one of these happens to be the only piece that I recognized as being from a previous Sonic game, a bare-bones cover of “Diamond Dust Zone, Act 1”, originally from the Genesis version of Sonic 3D Blast (what’s odd is that Richard Jacques is in the credits, presumably for this piece, when, to the best of my knowledge, it was actually written by Jun Senoue). The graphics fare better, though the 3D character models are kind of ugly when seen head-on, and the POW move icons are a bit more pixelated and jaggy than they could be. Taken as a whole, it’s an odd, quirky entry in a franchise that’s no stranger to the occasional odd, quirky entry. It might be worth a look if you’re a Sonic fan and/or into such curiosities (I fit both criteria), but it’s hard to recommend as a good RPG.
Speaking of playing similar games so close to each other, my next secondary title was a high school-based life simulator, much like the non-dungeony parts of Persona 4, but such was my mood when I started up this doujin game. Published by Capcom, localized by Nyu Media, and developed by 773, Cherry Tree High Comedy Club puts the player in the shoes of Miley, a high school student who dreams of becoming a professional comedian. To help achieve this dream, she has set out to recreate a school club that two alumni, now famous comics, were originally members of. Unfortunately, she needs a minimum of five club members in order to make it official, and she only has herself and her roommate. Thus, the goal of the game is to recruit those last three members before the deadline for new clubs closes.
The format should be familiar to anyone who has pursued Social Links in Persona 3 and/or 4: when not cultivating her knowledge of conversational topics (ranging from pets to politics) through reading or other activities, Miley talks to people around town and nurtures friendships with a specific subset of them. If she becomes close enough friends with any one of the six available candidates, they will join the club. Carrying out your search for club members day to day in this way can be repetitive after awhile, but given the format, it’s to be expected. It’s not a very long or difficult game, though some strategizing is required. I should also note that recruiting all six candidates seems to be impossible for a first playthrough; fortunately, there is a New Game Plus mode.
The music and story are bright and cheery, as are the graphics—save for some issues with text on characters’ clothing when their portraits are flipped—and the UI is very well designed. However, the one part of the game that stands out in a negative way is the localization. Although the writing itself is fine, typographical errors frequently appear throughout the dialogue, and I even caught a misspelled word in the user interface. It’s clear that this game would’ve greatly benefitted from a thorough round of copy editing/proofreading. Aside from that, there’s a quirk to this localization that is peculiar to Capcom-published visual novels: it’s rewritten to be set in the United States. Aside from the Westernized names, two noteworthy changes are that a certain pair of foreigners are now from Sweden instead of Canada, and the town’s shrine is explained as being a gift from Japan. Granted, this is not usually a major issue with me, but things like the shrine, not to mention the castle visible from the town’s park, are so obviously Japanese that one wonders why they even bothered with Americanization in the first place. These changes have also led me to wonder if the game itself (and by extension, worryingly, the gameplay) was altered so that there’s no school on Saturday in the English-language version, but I couldn’t find anything on 773’s site that seems to indicate this. Either way, the technically inept localization is a disappointment compared to the rest of the game, which is an enjoyable, lively diversion.
Not long after starting Miley’s adventures in club recruitment, I got The Itch and started up Hammerwatch, one of the few light-on-plot hardcore dungeon games left in my Steam backlog. It was one of the first things I had ever voted for on Greenlight, but I didn’t get around to actually picking it up until the last Steam Holiday Sale. After playing it, I’m kind of glad I didn’t pay full price.
The story is very simple: while escaping from a castle with your fellow adventurers, you alone get trapped and have to find your way out. The game is divided into four areas of three floors each. Each area has a boss, as well as minibosses, regular enemies, enemy spawn points, loot, treasure chests, traps, upgrade and potion shops, and secrets—lots of secrets. Most of these secrets take the form of hidden areas that can be found by attacking the right wall, pushing the right buttons, or solving puzzles, and lead to money, “vendor coins” (special items that lower the prices at shops), extra lives, and strange planks. Unlike most other games with such secrets, finding these goodies in Hammerwatch is practically required if one wants to make decent progress through the game. While I appreciate the focus on discovery, it seems a bit misguided to me to have so much of the game’s accessibility be dependent on what should be optional.
Aside from that, the castle floors are massive and very well designed, though having to go through them again and again after failed playthroughs leads to a sort of boredom settling in. As for the enemies, although some interesting things are done with them from time to time, for the most part, they’re pretty brainless, and will just swarm straight to you once you’re in their line of sight.
There are four character classes to choose from (all male, which is a bit weird), which are all well-balanced with their own distinct strengths and weaknesses. Although I tend to gravitate toward melee classes for these types of games, after trying out all the classes on the Medium difficulty, I ended up beating Hammerwatch with the wizard, whose basic fireball attack struck the right chord with me. Playing any one of the classes is an exercise in repetition, though; no matter which class I was, I found myself using very similar strategies on most of the regular enemy types throughout the game.
As far as aesthetics go, I have no major complaints aside from an iffy loop point in the background music. The options for graphics, controls, etc. are very good, although controller support is limited. Hammerwatch also has a co-op multiplayer component and modding tools, which sound promising for anyone who’s into those sorts of things. However, if you’re like me and want a solid single-player dungeon crawler first and foremost, this isn’t bad, but you could do better.
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February was a productive month, gaming-wise. After completing Tropico 4‘s campaign, I went ahead and played On the Rain-Slick Precipice of Darkness, Episode Two, which was more of the same Penny Arcade-themed adventuring, albeit with a gimmicky end boss. There was something of a cliffhanger at the end, though, and given that Episode Three was cancelled, I would have to rely on Penny Arcade’s own documents should I wish to know the rest of the story. (ETA: Pete has informed me that Zeboyd is working on Episode 3. Huzzah!)
I also took up Pokemon White again, where, among other things, I added the last three Gym Badges to my collection. There was also a handful of new story events to play through, where Team Plasma continued in their quest to free Pokemon everywhere from trainer oppression. Compared to past Pokemon enemy squads, Team Plasma is easier to empathize with, though no more or less devoted to their cause. Their leader, the enigmatic N, is certainly the most memorable such character that I’ve yet seen in the series. Although I’ve set the game aside again, largely for practical reasons (Pokemon White has a season-based system that uses the DS’ internal clock, and I haven’t seen Winter or Spring yet), I’m looking forward to taking on Victory Road and the Pokemon League.
Tropico 4 was also revisited, much earlier than I thought I would. This time, it was to play the first two DLC missions. The one contained in the “Junta Military” pack was quite challenging, while the “Plantador” mission had a thick streak of humor, with its pop-culture friendly occult theme. In between all of this, I made a lot of progress in Sonic Colors, finally beating it on the 28th. It remains a wonderful Sonic, and simply a great platformer in general.
After all that was wrapped up, I decided to go back to the Halo franchise with the next game in the series, Halo Wars. I was already familiar with developer Ensemble Studios’ work through Age of Empires II, and therefore expected good things from what wound up being their final game. Thanks to Halo Wars‘ interesting missions and marvelous control scheme, I wasn’t disappointed. By necessity, it’s a lot simpler than PC RTSes, but far from dull; it’s probably the most fun I’ve had with a Halo game since the original. Sadly, the campaign was over fairly quickly, but on the plus side, it gave me my last beaten game of the month.
The PS2 port of Baroque was decided upon as my next game, and the first one for March. I started it yesterday and played for the better part of the afternoon, but decided to drop it in the end. It’s a roguelike, but with action, as opposed to turn-based, gameplay, which is unusual for the genre. Nevertheless, it has roguelike-style difficulty, complete with randomly-generated dungeons and being booted back to the starting area at Level 1 every time you die. I died quite a bit early on, but made progress at a steady pace, and then, not very long after starting over yet again, I came across the Experience Wings.
The Experience Wings are a piece of equipment that boost the amount of experience points one can get from each defeated monster. Needless to say, they make level grinding much easier, lessening the pain I felt just on Normal difficulty. However, after going through several floors, I play through a story event that sends me back to the beginning, at Level 1. After making it so that the Experience Wings can be carried over to this new session, I do it all again, though it’s much more monotonous this time, and the same thing happens. While reading some info about the game afterward, I found that progression is determined not by what floor of the dungeon you make it to, but whether or not you can fulfill the arbitrary and oftentimes vaguely hinted-at goals given to you by the macabre, dull, and badly voice-acted NPCs. Upon learning this, I could readily envision the tediousness this would entail, and promptly decided to give it up.
So, what’s on the agenda next? As I said before, I’m on hiatus from Pokemon White again; also, I don’t think we’ll be tackling Final Fantasy Crystal Chronicles‘ tough endgame again anytime soon. Right now, my plan is to continue on with more Halo games I haven’t played yet, namely Halo 3: ODST and Halo: Reach. I also have Halo: Combat Evolved Anniversary in my backlog, which I’d like to play co-op, but that’s not as big a priority. I also want to start another JRPG, though I haven’t settled on which one yet. Tales of the Abyss, perhaps?
How many games will I beat in March? Stay tuned…
Special Stage: Congrats once again to my friend and fellow Citadeler Tarale on her recent engagement! The incredibly geeky story of how she proposed to her boyfriend, via Team Fortress 2 and with some special help from Valve, made Kotaku Australia; here’s the story!
Xenogears is one of those games that I had long been curious about, but didn’t want to play, both because and in spite of its reputation. I didn’t like Xenosaga Episode I: Der Wille zur Macht, mainly due to its sedate dungeons and overlong, poorly-paced cutscenes, and didn’t relish the thought of slogging through its predecessor. However, at the same time I wanted to know why Xenogears has commanded such attention. Therefore, when a new Let’s Play of the game by The Dark Id appeared at the Let’s Play Archive, I dove right in.
"All shall be mocked accordingly..."
It turns out that I had made the right decision. Seemingly every new dungeon, rare as they are, is described as the worst in the game; the story has some interesting ideas but is needlessly complicated, poorly plotted (a good example: that old JRPG trope, the battle tournament, is used as a major plot device twice), and did far more telling that showing; and from the looks of it, the staff had just about run out of money when it came time to work on Disk 2. The Dark Id’s humorous asides, especially the ones involving sandwiches and/or Citan Uzuki’s dickery, plus his astoundingly thorough analysis of the game’s quirks, made all this the more digestible; I’m sure I would’ve experienced Chrono Cross levels of rage if I had played this myself.
This Xenogears Let’s Play is easily the longest one I’ve ever read, and took me some time to get through. Not long after wrapping it up, I decided to play a new game. I’d already finished with Rune Factory: Tides of Destiny and given up on the original Tropico after finding it a bit too difficult, and not the fun kind of difficult, either. Also, I wasn’t in the mood to pick up Sonic Colors or Pokemon White again. There was that damned-cute-moogle-fest Final Fantasy: Crystal Chronicles, which I was (and still am) playing co-op, but I needed a new single-player game. So, the new game I played? Bayonetta.
For the next three days, I found myself immersed in the closest thing to a masterpiece I have played in the action game genre. Bayonetta is marvelous, with slickness, humor, and outrageousness in abundance. The title character is a strong, sexy, and ridiculous gunslinger and a great follow-up to a certain other beautiful mixed-race hero from an earlier game by the same director. Speaking of which, there are several homages in Bayonetta—some more subtle than others—to director Hideki Kamiya’s previous works, to certain classic Sega franchises, and to games that have nothing to do with either. My favorites of these made me absolutely giddy as this already awesome game got even better. In general, there is so much love put into Bayonetta—love of the heroine, her world, the action, and of video games themselves. I don’t know if I’ll ever experience another game like this again.
The next game I played only took me two days to get through, but has a much longer title: Penny Arcade Adventures: On the Rain-Slick Precipice of Darkness, Episode One. This was one of several games I picked up during this past December’s Steam Holiday Sale, and more or less on a whim at that. The game itself plays a bit like a weirdly balanced JRPG with notes of graphical text adventure and that unmistakeable Penny Arcade feel. It was all right, and I’m looking forward to playing Episode Two sometime soon, in part because one of my favorite PA characters, Charles, makes an appearance.
After Rain-Slick Precipice, Episode One, I decided to delve back into the world of Caribbean island management—but via Tropico 4 this time. The campaign this time around is a long one at twenty missions, but once I got to a certain point, the previous starting islands began to make repeat appearances. This was a little disappointing, as were the moments when the sound would stop during a cutscene, or the one time during the final mission where the game crashed, or the few other tiny annoyances presented themselves, but I was still engrossed for a good two weeks. In many little ways, it’s much improved from Tropico 3, and I ended up spending more time playing it than I do with a lot of JRPGs. I wrapped up the campaign this afternoon, so now I’m going to step back from it for awhile and catch up on just about everything I’d been neglecting in the meantime, such as, well, this blog…
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Welcome to the home of PAX Prime, the Washington State Convention Center in lovely Seattle, WA!
This was where we spent much of our weekend—attending panels, checking out the cosplayers, and going hands-on with upcoming games in the massive Expo Hall(s). Actually, we didn’t get to play as much as we liked, since the lines for popular titles, most memorably Star Wars: The Old Republic, were incredibly long. As with PAX East, panels were our main priority.
However, we did watch a lot of games being played, in all sorts of genres, and checking out the booths themselves was also enjoyable. The booth that was hardest to ignore was the one for FireFall. They were a major sponsor of the show this year by the looks of things; in addition to the huge booth, there was an animatronic display near the Expo Hall entrance (Prototype 2‘s booth was also in that area), FireFall branding on the PAX swag bag, ads on the escalators, and more. Clearly the goal of FireFall‘s publishers was to get the name and look of the game firmly entrenched in our minds. As for the game itself, I didn’t get to play it, but it looks like an MMO action game of some sort. It is also highly derivative in its aesthetics—even the logo is StarCraft-ish.
Bethesda’s booth was impressive as well, thanks to a large dragon that loomed over the area dedicated to The Elder Scrolls V: Skyrim. Bethesda also had some Prey 2 stuff as well as Rage in playable form. Save for some canned, stiff animation, Rage looks absolutely stunning, though I seriously doubt that my computer will be able to run it.
Although I didn’t see anything of the game itself, the BioShock Infinite display was marvelous, and the most unique thing I saw on the show floor. There were a few other standouts scattered about, including a plant-like thing for Rift, the inflatable Normandy hovering over Mass Effect 3, the secret society quiz terminals for The Secret World, and Sega’s Rise of Nightmares prison cell. For the Kinect version of Just Dance 3, Ubisoft had a simple stage, but dancing con-goers added the extra hook.
Some people tend to forget this, but geeky non-video games have a large presence at PAX as well. There were a lot of areas dedicated to board, pen-and-paper, and trading card gaming, including a whole branch of the Expo Hall. Publishers of such games had their own booths, plus there were a handful of booths selling games, gaming accessories such as dice, and even dedicated pieces of gaming and collection furniture.
Other vendors included Seattle import specialist Pink Gorilla (which had plenty of import games at their booth, but strangely, no PS2 ones) and artbook localizer Udon, who shared space with comic book publisher Oni Press. There was also a booth selling general anime merchandise, but I was immediately turned off once I noticed that the Nendoroids and certain other items were bootlegs. Square Enix had Deus Ex: Human Revolution Play Arts Kai figures on display at their booth but, much to my dismay, the company wasn’t selling any of their collectables at the show.
Upstairs was a sort of annex to the main hall, where indie game publishers and lesser-known PC hardware manufacturers lived. This room saw a lot of traffic thanks in large part to the presence of Mojang, aka the Minecraft developer. Meanwhile, there was the Handheld Lounge, a land of beanbag chairs occupying hall space on two floors, and sponsored by Nintendo. Although Ninty had a large booth in the Expo Hall, they showed additional games here, including two upcoming Kirby games and Dragon Quest Monsters. Unfortunately, I had somehow forgotten to take photos of both areas.
I could go on, but to describe everything I saw would double the length of this post. Therefore, I’ll close out with brief impressions of the games I actually played.
Kirby Mass Attack for the DS is one of the most unique platformers I have seen in some time. The entire game is played with the stylus, and up to ten Kirbies can be controlled at once. These Kirbies are obtained by eating food found on the field (Maxim Tomatoes, as expected, are the “strongest” of these foods), and some areas can only be reached with a certain number of Kirbies. Though the game is being released very soon, the copies available for play in the Handheld Lounge were in Japanese. I guess the localization wasn’t ready for the show.
Kirby’s Return to Dream Land and Fortune Street were the only Wii games shown in the Handheld Lounge. The former supports up to four players at once and is as madcap as one expects from the studio that also makes the Smash Bros. games; unfortunately, the other characters aren’t as versatile or as necessary as Kirby, which is this game’s greatest weakness. Fortune Street is the first of the Itadaki Street games to be released outside of Japan, but I don’t think it will do very well since, for a board-style party games, it is way too complicated.
Pokedex 3D is neat, and I’ll probably download it once/if I get a 3DS. Dragon Quest Monsters: Joker 2 is about what I expected, which is to say I’m still planning on buying it.
At the Microsoft booth, I played around a little with Sonic CD, which thankfully has an option to turn on the original graphics, since the “new” ones look horrible. My husband and I also tried out Trine 2, which looks and plays very well, and Pinball FX 2 which is great save for the fact that the balls blend into the playfield a bit too much.
The main indie game I tried at the show was Path of Exile, a Diablo clone with not much to it. The user interface reminded me of Torchlight‘s, but having the health and mana meters on opposite sides of the screen was inconvenient.
That’s about it for the Expo Hall. In tomorrow’s post, I’ll talk about the panels and certain other events which I attended.
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