I wasn’t excited for E3 this year. Of the games I knew that were coming out, there wasn’t much that I absolutely needed to see more of, and my anticipation for the as-yet-unannounced was low. It turns out that I was right to skip the Microsoft and Sony press conference streams, as there was practically nothing of interest to me in the liveblogs that I read (well, there wasHalo 4, but I’m doing my best to avoid spoilers for it at the moment). The following day, I caved and watched Nintendo’s presser, but found it to be sorely lacking.
After several days’ worth of coverage, only one new game piqued my interest, and that was “Project P-100”, a crowd management action title, directed by Platinum Games’ Hideki Kamiya, that seems to have gotten barely any attention from the press at all. This game is similar to his earlier Viewtiful Joe in its Super Sentai aesthetic, and the basic concept of controlling a crowd that turns into weapons to beat giant villains is pretty awesome. The one thing about this game that came as a disappointment was that it is for WiiU, a system I don’t have any interest in getting. Other than that, and a welcome reminder that the 3DS Paper Mario exists and is on its way, there wasn’t anything for me.
In the meantime, I’ve been continuing on with my main personal goal for 2012: reducing my backlog as much as possible. April is the current record-holder month with seven games beaten, including one (Soul Nomad & the World Eaters) that took me nearly 45 hours, and the two Pinky:st DS titles that I reviewed in my previous post. Some highlights these past few months include the DS remake of Dragon Quest VI, massively moe and just plain charming doujin shop sim/dungeon crawler Recettear: An Item Shop’s Tale, bare-bones browser-based JRPG Parameters, fantastic expansion pack Tropico 4: Modern Times, and Pokemon White Version, which I’ve written about before and was top-notch all around.
There was also Halo: Combat Evolved Anniversary, played co-op with my Halo-detractor husband. We had a good time, playing the game with the new graphics and old soundtrack, though I have some quibbles regarding the former. The new maps are brightly lit compared to the original versions, which, along with the whole co-op thing, made the game’s scariest moment a bit less so. Also, some of the new character models were lacking, especially Sergeant Johnson and 343 Guilty Spark. More than anything, I’m now cautiously optimistic about Halo 4.
I also played a couple of platformers, namely The Legendary Starfy on DS and Ratchet & Clank for PS2. Starfy was a decent game with a lot of character, but it was also much wordier than I expected, with more cutscenes than is average for a platformer. Ratchet is not as good as its first-party brethren Jak & Daxter: The Precursor Legacy and Sly Cooper & the Thievius Raccoonus and also has some irritating bugs. However, the weapon/gadget system at its heart is well thought-out, and the storytelling, which is similar in tone to Jak and Sly, is enjoyable enough.
There have been a smattering of others, including the two Izuna games, mystery dungeons with an emphasis on humor and fanservice, and, on the negative side, vague endings that lack so much as a credit roll or “The End” text before dumping the player into Postgame Territory. I also beat the puzzle game RUSH and attempted to play EDGE, but the bad controls and mediocre design of the latter led me to quit. Finally, over the weekend I played through Breath of Death VII, a parody RPG that resembles an early Dragon Quest and contains jokes and references that range from the silly to the sillier; despite some design quirks, it’s well worth a play if you love the genre.
That’s it for what I’ve beaten these past few months. As for what I’m actively playing right now, I’m approaching the end of “The Journey”, aka the main game in Persona 3 FES. This RPG has been unlike most others I’ve ever played, in a good way, and I hope to write about it at length later on. I’m also playing Dance Dance Revolution again (SuperNOVA 2, specifically); after a long ordeal, a couple of new, working pads arrived yesterday.
Once I wrap up “The Journey”, I plan to put Persona 3 FES aside for awhile before taking on the bonus episode “The Answer”. Right now, I’m considering starting de Blob 2 and/or Dragon Quest Monsters: Joker 2 as my next game (or games). As usual, we’ll see.
It’s a new year, which means the annual status report on my backlog. I would’ve had this up sooner was I not waiting on Shin Megami Tensei: Strange Journey to arrive from Play-Asia. This was one of seven(!) console and handheld games I ordered for myself shortly before the New Year. Then there’s Sonic Chronicles, purchased at Best Buy after Christmas, plus a not insignificant number of computer games purchased during Steam’s amazing Holiday Sale. All this plus my preexisting Pile of Shame adds up to a mountain of games to pick and choose from in 2012.
What have I gotten myself into? DX
My DS backlog has become particularly large with fourteen entries, at least half of which are RPGs. The Xbox 360 and PC piles have grown some as well, as has the Wii one, which was nonexistentthis time last year. The GameCube stack is unchanged, and the PS2 one has shrunken, but only slightly. All in all, the number of console and handheld games this year comes to thirty-five; add in PC/Mac, and it’s closer to fifty, which is more than double the tally from last year.
This growth, particularly on the DS side, was largely fueled by my wanting to pick up certain out-of-print games before they became impossible to find. There’s also the matter of my not being able to beat many games last year, thanks to certain real-life factors. Therefore, my goal this year is to beat at least twenty-five games, which would be a marked improvement from last year’s seventeen.
Here are my must-play games for 2012, in no particular order:
Shin Megami Tensei: Persona 3 FES – Now that Rogue Galaxy has been beaten (and thoroughly enjoyed), Persona 3 is the candidate best-suited to fill its shoes as the Game I’ve Had in My Backlog Since Forever That I Really Should Play.
Half-Life – As was the case with Halo, I feel that I ought to play this FPS.
Tales of the Abyss – I think I’m about due for another fun Tales experience.
Last Window: The Secret of Cape West – Yet not before replaying Hotel Dusk.
Soul Nomad and the World Eaters
Dragon Quest VI: Realms of Revelation
Professor Layton and the Curious Village
The Legendary Starfy
Going by previous backlog posts, I’ll probably end up playing somewhere between a third and half of this list, and one or two games will make repeat appearances on next year’s. We’ll see how it goes.
My Christmas break was longer than expected, thanks to the bad weather, but I’m back home now and catching up on crucial tasks, like changing the look of my Backloggery. While I was away, I finally became the Champion in Pokemon Platinum, started and beat the iPad version of Plants vs. Zombies, picked up a couple of PS2 games in decent condition at Gamestop of all places (a new Sakura Wars: So Long, My Love—it was the last copy and had a beat-up outer box, but the game case itself is sealed— and a used Baroque), got a DS game on sale at Best Buy (Picross 3D), and started Rune Factory 3 and the aforementioned Picross 3D. Upon returning home, yet another new game was added to the pile: Professor Layton and the Curious Village, a Christmas present that I wasn’t able to open until last night. There are other late gifts, but I’m not sure any games will be among them; this might be a good thing, given the current state of my backlog.
When I wrote last January’s backlog report, twenty-two game cases stood on my desk shelf. Counting Metroid Prime Trilogy as three distinct titles, this meant a total of twenty-five games. This year, there are twenty cases and twenty-one titles—World of Goo is currently sitting, unplayed, on one of my hard drives—but the number of RPGs is as unwieldy as ever. And yes, I still haven’t played Rogue Galaxy.
Speaking of which, there were three other 2009 must plays that I didn’t get around to: Nocturne, Persona 3 FES, and Tales of the Abyss. I did play the others, and, save for Chrono Cross, greatly enjoyed each one of them.
Here are my must-play games for 2010, in no particular order:
• Rogue Galaxy – Because, seriously, this is starting to get ridiculous.
• Dance Dance Revolution Extreme 2 – Might start this one later in the week, actually.
• Final Fantasy Tactics A2 – It’s been awhile since I’ve dug into a tactical RPG.
• Might & Magic: Clash of Heroes – Like FFTA2, a game I had intended to play last year.
• Shin Megami Tensei: Nocturne
• Ratchet and Clank
• Izuna: Legend of the Unemployed Ninja
• World of Goo
• Professor Layton and the Curious Village
How many of them will I get through, or even just start? Stay tuned.
My annual roundup, where I post brief impressions of all the games I played in the past year will be up shortly. Also, I will start keeping my annual Beaten Games tabs here from now on (I’ve got a post at the CAG forums’ current Completed Games thread I might use, too). As for the old tabs, they will be migrated here along with most all of my other game-related posts from LiveJournal; having seen this past year how ad-heavy that site has gotten, I feel this would be for the best. Anyway, more to come…
The busy holiday season is upon us, and over the past couple of weeks, I have bought half a dozen games—not as gifts, but for myself. So far, I’ve played two of these, and have also beaten one of my older backlogged titles. Instead of doing entire posts for these games, which I was strongly considering for two of them, here are some capsule reviews which hopefully cover the core essence of each title.
What would the real Chopin have thought of Eternal Sonata?
I have a soft spot for games from early on in a console’s life. They’re an interesting glimpse into what developers were thinking back then in regards to a new platform. What are their priorities? How are graphics approached? What holdovers from the previous gen are apparent?
Eternal Sonata is one such game. It was the first major third-party JRPG on the Xbox 360, greeted with much fanfare by followers of the genre. However, it might also be seen as a sign of things to come, as JRPGs have yet to really find their footing on the high-definition consoles (meanwhile, handheld JRPGs are going through what might be termed a golden age, but that’s a topic for another time).
As one would expect from a game inspired by a composer, Eternal Sonata is musically lush, and the voice acting ranks up there with the Tales series in terms of quality. The anime-styled graphics are drop-dead gorgeous, though the animation is merely decent and the environments are more constrained and linear than you would expect. Eternal Sonata also features an engaging battle system that meshes turn-based and action gameplay, with a light and shadow component for special moves that is wholly dependent on the environment. Blocking and counterattacking moves are available, but these require extremely precise timing to pull off, and thus leave much to be desired. One of the characters also has the ability to take photos during battle, but the only thing that this feature is useful for is in amassing large amounts of money (photos can be sold at shops), and feels like a novelty at best, and a wasted opportunity (on the developers’ part) at worst.
Ostensibly, the story is about a dream that famed composer Frederic Chopin has while on his deathbed, and his questioning of this dream’s very nature. However, it is also the story of the heroine, Polka, a terminally ill teenage girl with magical powers. There are a few things in the story that don’t make sense, but thanks to good pacing and solid (if cliched at times) characterization, the game progresses in such a way as to lead one to believe that all will be answered by the end. However, in terms of plotting, the final chapter is a mess, and the ending is long, pretentious, and only led to more questions. The final boss, though startling at first, made sense; unfortunately, its abrupt emergence matched the haphazard tone of the entire ending.
I have only been playing the PC game Audiosurf for a little under a week, and already, it’s my favorite game out of those that I’ve played this year. In fact, I was ready to post about this under Game Love, not Reviews; declare it the greatest music game of all time; and make room for it in my Holy Trifecta of Puzzle Games (Panel de Pon, Puyo Puyo, and Tetris). I don’t know if “quadfecta” is a real word, though.
Audiosurf, like many ingenious works, is simple in both form and function. Essentially, it is what would happen if you took an audio visualizer and mixed it with a match-three puzzle game. Plug in any audio file, and as long as it’s in a supported format, Audiosurf will generate a track out of it, complete with peaks, valleys, and lots of little colored pieces to collect for mad points. There are a handful of different characters to choose from, including a few that allow for two-player games. The Mono characters are the most basic of them all, and a good place to start for beginners; the colored blocks are all the same, and all one has to worry about is dodging the useless grey ones. When playing as one of the others, multiple colored pieces show up on the field at the same time, along with power-ups, and things really start to get hectic.
The graphics settings are quite flexible, plus a handful of optional sound effects are available. There’s also a set of achievements, but what really adds to the fun are the online leaderboards; there’s ones for each individual song that’s played with the game. Pick an obscure enough song and you could be the global champion at it, but of course, the real competition lies in the better-known stuff.
One of the most surprising things about Audiosurf is that it’s making me a better listener. Playing a track in the game, I find myself paying more attention to lyrics, instrumentation, and BPM. Regarding that last thing, some songs, like Michael Jackson’s “Wanna be Startin’ Somethin'” sound slower to me in Audiosurf than they do normally.
All in all, despite an interface that isn’t the most aesthetically pleasing thing ever, plus a tutorial mode that’s rough around the edges, this is an incredible game and a must-have for music lovers. By the way, I’m R. Kasahara on the official site, and if you have any doubts about Audiosurf, go see it in motion.
Here's what my Destroyer and his dog looked by the end of the story.
This is the most recent RPG I beat, and the first WRPG I’ve ever gotten to the end of. Torchlight, available for Windows and Mac OS X, is often described as a Diablo clone, but it’s one whose pedigree includes former staffers at Diablo home Blizzard North. Naturally, Torchlight has some of that Blizzard Touch™ about it, without the full-on robustness of that studio’s regular output. This lack of depth isn’t really a problem, though, since it’s a quality game made on a small scale by a small studio, and a good value at its full price of $20.
The story in Torchlight is pretty bare-bones. There’s mysterious happenings in the mines just outside of the town of Torchlight. You’re an adventurer who has come to town, and soon you find yourself teaming up with a woman named Syl in an effort to unravel the mine’s mysteries. It’s not a particularly deep story, but it gets the job done, and features some challenging moments and a tidy conclusion.
What largely kept me playing were the clean, World of WarCraft-style graphics and the satisfying loot grind. I also liked going in knowing that it was a short game—I like Diablo-esque RPGs but find many of them too long and too big. Oddly enough, in the end, the one game that Torchlight reminded me of most was Mystery Dungeon: Shiren the Wanderer. Shiren is turn-based and a roguelike, but other than that, there’s not much else separating the two: dungeon floors that were just the right size, item limits that were reasonable, the aforementioned story and loot points, the helper character concept, good graphics and music, and above all, plenty of fun to be had. Besides, if you want to play Torchlight in a more hardcore manner, there’s always the harder difficulty settings and permanent death option.