I didn’t want to do this—I had an idea, a new-to-me engine to mess with, and had even started work on the thing—but the completion and release of year’s “Holiday Card” game project is being postponed to next winter. The reason for this is due to over a month of near-constant insomnia beginning in late September, making me too tired to continue playing certain games, never mind making one.
At first I thought it might’ve been the regular Autumn changes in the weather that was causing my sleeplessness, but I have a chronic illness in which insomnia is a side effect. I thought I could tough it out until my next specialist’s appointment, but by the beginning of this month, I hadn’t made much progress with this year’s game, nor gotten enough rest. I’ve seen said doctor since then, verified what the problem is, and have started to recover a little bit, but there’s no way I’d be able to finish the game in time. Therefore, the third Brainscraps Holiday Card—if all goes well—will come out in December 2017, instead of next month (and if you’ve somehow missed the first two, they live in the “Projects” category). I have a couple of end-of-year posts in the works, so you can look forward to those, at least. In the meantime, wish me luck with the sleep thing and I hope everyone has a good holiday season.
Comments Off on No Playable “Holiday Card” This Year
March has been a mixed bag of a month. Between Daylight Savings, the fluctuating weather, and other circumstances, I wasn’t sleeping well for awhile, but now I’ve more or less adjusted. My comics backlog has grown bigger thanks to a big shipment of manga from Right Stuf, a couple of used bookstore pickups, and the arrival of a certain long-awaited graphic novel. I’ve also started trying out some new recipes for a change.
As for gaming, that’s been going more or less okay since my last post here, and the games themselves have been about as much of a mixed bag. I beat Disgaea 3; the ending was all right, though since learning that the sidequests are as grindy as expected, I officially put it down not long after. Before that, I went back to and finally beat Legend of Dungeon, using a class I hadn’t given a second thought to before; it’s still not at version 1.0 yet, but I’m just glad to be done with a second roguelike/like this year. Speaking of which, I took up Spelunky again and made quite a bit of progress, though it will be a long time until I actually beat it.
In addition to continuing on with Bravely Default and picking up Dance Dance Revolution SuperNOVA 2 again, that about wraps it up for February. Moving on to March, the first game I beat this month was the hot new release Firewatch. It is a beautiful and (mostly) well-crafted game, though a little bit of a victim of its own hype. The story is not mind-blowing but still decent; the save system leaves much to be desired; and the characters, music, and so forth were well done; but the real star in this game is the environment. Firewatch is set on a small parcel of US National Park land, and each little area within is distinctive in many ways. Aside from the climbing rocks (which are especially gamelike in a certain part), the wilderness here feels like a real place, and is easily the best thing about Firewatch.
This was not, however, the first game I started in March. That honor goes to Pokemon Blue Version, which, along with Red and Yellow, came out on the 3DS Virtual Console on the date of the series’ 20th birthday. Pokemon’s first generation is the only one I hadn’t played in some form, and, given how pricey original cartridges of that gen and its remakes can be, was one I hadn’t planned on ever playing until the Virtual Console announcement was made. I’m currently up to three gym badges and am not far from getting the fourth. It’s been interesting to see the roots of the series: the Pokemon, items, gyms, HMs, and all the other little things one becomes accustomed to seeing in the games. Some of the things that were different were just as surprising; for instance, most of the Pokemon don’t have listed genders, nor is the indicator for whether or not you’ve already caught a certain type present. The player character’s rival is also far more obnoxious than they would be in later series entries, and there is also a greater emphasis on filling up the Pokedex. In general, it’s all still both fun and tedious in its telltale ways; twenty years on, the core of what makes Pokemon Pokemon hasn’t changed much.
Next up would be the third RPG I’m currently playing: Diablo III, via the Ultimate Evil Edition on 360. After trying out a handful of different classes, bitprophet and I settled on a wizard and a monk (respectively) and started our adventure to investigate a fallen star and the prophecy it portends. It’s the loot-heavy, lore-heavy action RPG that you’d expect, and it’s looking to be quite long, as well.
Needing a break from RPGs for a little while, I recently started delving into some shorter games in other genres. First up was Hatsune Miku: Project DIVA F. This was my first time playing a Hatsune Miku Project game that’s specifically in the DIVA series, and, sadly, it was not as much fun as Project mirai DX. The difficulty is brutal, the small button icons can frequently get lost in the music video chaos on-screen, and there’s a handful of aesthetic issues that prevent me from enjoying it as much. Chief among these is the tracklist, which is on the weaker side overall, and weighs heavily on more offbeat songs toward the end. A lesser quibble I have is that the “modules” specific to each song are locked from the outset, which means Miku and company perform in their default outfits whenever a track is played for the first time. This is okay for many tracks, but does not work as well with others, especially the elaborate period piece “Senbonzakura”. After unlocking all the songs on Easy, I was ready to set Project DIVA F aside and move on to something else.
The next day, I started Kero Blaster, which is by Cave Story‘s Studio Pixel. It’s much more linear, for better or for worse, than Cave Story, and also more lighthearted, but maintains that same feel otherwise. The characters are all down to earth, moving and shooting are handled well (there’s even a bubble-based weapon that’s actually useful), and the levels are sufficiently challenging. I highly recommend it to anyone who likes old school-style “run and gun” side-scrolling games, and to fellow Cave Story fans especially. There are also two (very charming) free games, titled Pink Hour and Pink Heaven, that serve as demos of sorts for Kero Blaster, though you could also play them afterward, as I did.
Finally, there’s the two classic titles I started yesterday: Professor Layton and the Curious Village and the HD version of NiGHTS into Dreams… The former is my first Layton game, and might also be my last; it’s decent for what it is—a collection of brainteasers in a story wrapper seemingly inspired by European comics—but I’m not exactly hooked. I’m only about a couple of hours in, so maybe I’ll change my mind later on, but I kind of doubt it. Meanwhile, NiGHTS, which I ended up beating earlier today, is a slick-for-its-time 3D action experiment. Its so different from any other game that’s been made, I’m not sure if it has aged poorly or well. The camera’s a little iffy (though not as bad as in certain later Sonic Team games), the story’s more convoluted and strange than average, the routes through the levels can be tricky to navigate, and the game as a whole is short, but it’s got a certain flair which makes it impossible to dislike. Even more appealing is an unlockable bonus in the form of Christmas NiGHTS, one of the most famous and unique game demos ever made. This demo takes one of the first stages of NiGHTS and dresses it up with a Christmas theme, complete with a separate story to go along with it. Unfortunately, unlike the main game, the original Saturn version of Christmas NiGHTS is not included as a playable option.
That’s about all I’ve been up to lately, gaming-wise. With Kero Blaster and its spinoffs, I decided that it might be a good idea to dedicate my weekends to an indie/doujin game (or two) of a reasonable length, which would help me churn through more of my backlog, at the very least. At the moment, I’m considering my options for this coming weekend, and there are a lot of them. I should also get back to the RPGs in between those indies and sessions with Professor Layton. One of my major backlog goals for this year is to put a dent in the number of RPGs I have sitting around unplayed, but I was not expecting Bravely to be this long. Perhaps I’ll have it beaten by next month. Either way, I have no idea which RPG I would want to play next.
One of my regular projects is an annual (usually; I’ve missed at least a couple of years) “Holiday Card”, typically a piece of Christmas/winter fanart for my online friends. I had plans to do one this year, and even had a couple of Persona 4-themed ideas stored away well in advance, but when the fall hit, I got a spark of inspiration for something else, which I started working on in November.
This project, a short J-style RPG called Legend of Cascadia, is not holiday-themed, but is my replacement for this year’s Holiday Card. It is based on one of my favorite Peter Molydeux tweets, one which I briefly considered adapting for the first MolyJam, but lacked the time, experience, and overall foundation to do so. However, over this past month and a half (and especially the last four weeks), after finally getting a solid idea in my head, I put it together. The engine I used is RPG Maker VX Ace, which I’d only dabbled with before, and is both surprisingly robust and frustratingly limited. It was also the perfect tool to put together this sort of thing.
Anyway, hope you all enjoy this bit of silliness from me. Before I go, you may have noticed that Cascadia lives under a new menu section called “Projects”. I can’t promise that I’ll make more games in the future, but this is where any similar such works will live from now on. Thanks, have a good holiday season and here’s hoping we all have a great 2015!
For the past week, I’ve been alternately too tired or too busy to play games. Right now I’m both, since my new desktop machine is due to arrive tomorrow and I still haven’t finished backing up the old one. I’m really looking forward to setting everything up once it gets here, but it’ll also be a little while before I settle into a normal routine again. Oh, and I still have some sleep to catch up on.
After beating Steins;Gate and a trip to see family, I settled back down in front of Steam and started up Frozen Synapse. However, it was more difficult than I had expected, plus the campaign’s story is a jargon-filled stew that, at its very core, isn’t novel enough to justify its complexity. Therefore, I put it aside and booted up Half-Life.
Protagonist Gordon Freeman is, like S;G‘s Okabe, a physicist involved with fantastical research, but that’s where their similarities end. Gordon is a professional as opposed to a mere student, talks way less (as in, not at all), and, I imagine, plays lots of Quake when he’s not working. The nature of his research at Black Mesa is barely explained and, after something goes wrong with the day’s experiment and the game begins in earnest, you’re only ever given as much information as you need. The narrative flows naturally in this way and, aside from the loading screens and occasional bug, so does the game itself. Half-Life is wonderfully designed (aside from the aforementioned bugs, plus the lack of a subtitle option) and doesn’t feel as old as it is; I was afraid that the graphics would be blockier and jaggier than they actually were. It’s obvious as to why it’s held in such high esteem.
Not long after wrapping up Gordon’s adventures (for now), I dug into two expansion packs, Blue Shift and Opposing Force, which has you play as Black Mesa security guard Barney Calhoun and US Marine Corporal Adrian Shepard, respectively. Even though it was made later, I played Blue Shift first; it was short and had a limited selection of weapons, but expanded on Half-Life‘s dry and dark humor, making for a light but yummy snack of a game. Opposing Force was meatier and the most difficult of the three that I played; it had some interesting new weapons and enemies, and both added to the original game’s story and echoed it in certain ways, or at least more than Blue Shift did. By the time I had wrapped it up, I was ready to take another lengthy break from first-person shooters. I’ve been meaning to start a JRPG of some sort (either a MegaTen game or Rune Factory 4), but have run into the whole tired/busy problem.
Instead of games, I’ve been spending my leisure time reading and, along with bitprophet, finally finishing up Gundam Build Fighters, the most recent anime in one of Japan’s biggest cash cow franchises. The premise of this show is even more commercialized than usual: instead of a story of war, politics, and giant mecha, here we have a lively tale of kids battling with Gundam plastic models (Gunpla) on special playfields where they’re brought to life. This type of story is not new to anime—it most reminded me of CLAMP’s Angelic Layer, which features battles between user-customized dolls instead of robots—but it’s new(ish) to Gundam, and was pulled off rather well. Once again, the scientific stuff—in this case, the technology behind the “Gunpla Battle” game—is barely touched upon; for most of the series, pretty much all we know is that the mysterious “Plavsky particles” make it possible. Rather, the important parts of the series are the characters, Gundam models, and the international tournament in which they all come together.
The core story involves Sei Iori, a boy who loves Gunpla and is a talented builder of them, but isn’t very good when it comes to the fighting aspect. One fateful day, he meets Reiji, a strange kid who, as it turns out, is very talented at Gunpla battling. The two of them team up with the goal of making it to the Gunpla Battle World Tournament. It’s worth noting that there was an earlier OAV series with a similar Gunpla-based focus, but Gundam Build Fighters is a wholly new story.
All of the characters, as cliched as they can act at times, are fun or at least interesting, and they’re lovingly drawn, with some of the best gag expressions I’ve ever seen in an anime series. The Gunpla battles themselves have a stunning level of care put into them, and are generally a treat to watch. As for the story, it’s predictable (and is basically one big commercial for real-life Gunpla), but this is one series where the journey is just as important—or perhaps moreso—than the destination. Some previous experience with the Gundam franchise is recommended, as not only are there tons of little bits of series fanservice, but it is also nothing like the other, more serious shows. Still, it’s a quality production and a lot of fun, and I hope it doesn’t ultimately get overlooked in favor of whatever shows are super-hot at the moment. If you’re in the US or Canada and want to check it out, the entire series is legally available on YouTube, fully subtitled in English.
I haven’t owned very many computers, but my first-gen, base-model Mac Pro Setzer has been the best of them. I got it back in October 2006 as a replacement for my aging Dell, Carbunkle, and still use it to this day. Setzer has helped me do all sorts of creative work, both freelance gigs and personal fan projects, and, built-in Ethernet ports notwithstanding, has never given me any major problems hardware-wise. In addition to OS X, it’s also been running Windows XP pretty much since I first got it, and has served me well for gaming.
Now, here in 2013, poor Setzer is getting on in years (for a computer). In general, my programs work fine, but at least one tool in Sketchbook Pro 6 lags a bit, and I constantly have to dial down the graphics settings for many current-gen games. Unfortunately, at the time when I started seriously considering either upgrading Setzer’s GPU or replacing the whole machine outright, the last new Pro that Apple had released was at least couple of years ago. Other Mac Pro users were in the same boat as I am, and Apple CEO Tim Cook assured us that we weren’t forgotten about. Then, this June, the new Pro was announced, and… it was different.
That keynote left me cautiously optimistic. The specs sounded great and the unusual design was interesting, plus it would be less of a space hog than the old G5s and Pros (it’s worth noting here that the other name I considered for Setzer was Umaro). However, it also looked less easy to customize—the original Pros are enormous in part because they’re so expandable. Also, there were no ports on the front of the thing, apparently no Nvidia card options, and once again… that design was weird. The one major detail left out of this sneak peek was the price, and it also happened to be the one thing left that I absolutely needed to know about this new machine.
Yesterday, there was a fresh new Apple keynote with a lot of announcements, including the base price for the Pro. Fortunately, this just reaches my personal limit, so chances are I will get one. However, upon considering how I’d actually use such a machine, more of the New Mac Pro’s limitations jumped out at me, with the biggest one being the lack of USB ports. There are only four USB 3 ports, while the still nascent (and expensive) Thunderbolt 2 gets six, and there’s no option to install a USB expansion card on this thing. On my current Pro, I typically have between four and five USB ports in use at any one time, and wouldn’t mind having more. Four ports means I’m definitely going to need some sort of USB hub.
Then there’s the hard drives. I want to reuse at least a couple of the drives I already have; there’s nothing wrong with them, they hold a lot, and sticking with them would save me quite a bit of time when I migrate to a new machine. However, on a New Mac Pro, that would mean using them externally, so I started looking at enclosures. The Thunderbolt ones are all ridiculously expensive, so I’ll probably go with a USB 3 solution of some sort.
I’ll also need an HDMI adapter for my monitor, though perhaps not, since I might already have one lying around somewhere; I’ve gotta check on that. Then there’s AppleCare, a copy of Windows 7, and… I think that’s it.
We’ll see what goes down once these New Mac Pros start shipping. I’ll probably check out some reviews once they do, and get a new desktop machine in January. Oh, and decide on a new name for the thing. My Air’s name is Celes, so if it is another Mac, then Locke, maybe? My Windows machines/partitions have used an FFVIII-based scheme, and after Carbunkle and Iguion, I’m really not sure what I would go with next.
Also, my older-than-my-Mac-Pro Wacom tablet seems to be a little flaky lately, but I have to run some tests with it to be sure that it’s the hardware and not something else. At least replacing that, should it come down to it, will be a much easier process.