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Month: August 2011

PAX Pix 2011, Part One: The Expo Hall

RKasa
August 31, 2011
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Welcome to the home of PAX Prime, the Washington State Convention Center in lovely Seattle, WA!

This was where we spent much of our weekend—attending panels, checking out the cosplayers, and going hands-on with upcoming games in the massive Expo Hall(s). Actually, we didn’t get to play as much as we liked, since the lines for popular titles, most memorably Star Wars: The Old Republic, were incredibly long. As with PAX East, panels were our main priority.

However, we did watch a lot of games being played, in all sorts of genres, and checking out the booths themselves was also enjoyable. The booth that was hardest to ignore was the one for FireFall. They were a major sponsor of the show this year by the looks of things; in addition to the huge booth, there was an animatronic display near the Expo Hall entrance (Prototype 2‘s booth was also in that area), FireFall branding on the PAX swag bag, ads on the escalators, and more. Clearly the goal of FireFall‘s publishers was to get the name and look of the game firmly entrenched in our minds. As for the game itself, I didn’t get to play it, but it looks like an MMO action game of some sort. It is also highly derivative in its aesthetics—even the logo is StarCraft-ish.

Bethesda’s booth was impressive as well, thanks to a large dragon that loomed over the area dedicated to The Elder Scrolls V: Skyrim. Bethesda also had some Prey 2 stuff as well as Rage in playable form. Save for some canned, stiff animation, Rage looks absolutely stunning, though I seriously doubt that my computer will be able to run it.

Although I didn’t see anything of the game itself, the BioShock Infinite display was marvelous, and the most unique thing I saw on the show floor. There were a few other standouts scattered about, including a plant-like thing for Rift, the inflatable Normandy hovering over Mass Effect 3, the secret society quiz terminals for The Secret World, and Sega’s Rise of Nightmares prison cell. For the Kinect version of Just Dance 3, Ubisoft had a simple stage, but dancing con-goers added the extra hook.

Some people tend to forget this, but geeky non-video games have a large presence at PAX as well. There were a lot of areas dedicated to board, pen-and-paper, and trading card gaming, including a whole branch of the Expo Hall. Publishers of such games had their own booths, plus there were a handful of booths selling games, gaming accessories such as dice, and even dedicated pieces of gaming and collection furniture.

Other vendors included Seattle import specialist Pink Gorilla (which had plenty of import games at their booth, but strangely, no PS2 ones) and artbook localizer Udon, who shared space with comic book publisher Oni Press. There was also a booth selling general anime merchandise, but I was immediately turned off once I noticed that the Nendoroids and certain other items were bootlegs. Square Enix had Deus Ex: Human Revolution Play Arts Kai figures on display at their booth but, much to my dismay, the company wasn’t selling any of their collectables at the show.

Upstairs was a sort of annex to the main hall, where indie game publishers and lesser-known PC hardware manufacturers lived. This room saw a lot of traffic thanks in large part to the presence of Mojang, aka the Minecraft developer. Meanwhile, there was the Handheld Lounge, a land of beanbag chairs occupying hall space on two floors, and sponsored by Nintendo. Although Ninty had a large booth in the Expo Hall, they showed additional games here, including two upcoming Kirby games and Dragon Quest Monsters. Unfortunately, I had somehow forgotten to take photos of both areas.

I could go on, but to describe everything I saw would double the length of this post. Therefore, I’ll close out with brief impressions of the games I actually played.

Kirby Mass Attack for the DS is one of the most unique platformers I have seen in some time. The entire game is played with the stylus, and up to ten Kirbies can be controlled at once. These Kirbies are obtained by eating food found on the field (Maxim Tomatoes, as expected, are the “strongest” of these foods), and some areas can only be reached with a certain number of Kirbies. Though the game is being released very soon, the copies available for play in the Handheld Lounge were in Japanese. I guess the localization wasn’t ready for the show.

Kirby’s Return to Dream Land and Fortune Street were the only Wii games shown in the Handheld Lounge. The former supports up to four players at once and is as madcap as one expects from the studio that also makes the Smash Bros. games; unfortunately, the other characters aren’t as versatile or as necessary as Kirby, which is this game’s greatest weakness. Fortune Street is the first of the Itadaki Street games to be released outside of Japan, but I don’t think it will do very well since, for a board-style party games, it is way too complicated.

Pokedex 3D is neat, and I’ll probably download it once/if I get a 3DS. Dragon Quest Monsters: Joker 2 is about what I expected, which is to say I’m still planning on buying it.

At the Microsoft booth, I played around a little with Sonic CD, which thankfully has an option to turn on the original graphics, since the “new” ones look horrible. My husband and I also tried out Trine 2, which looks and plays very well, and Pinball FX 2 which is great save for the fact that the balls blend into the playfield a bit too much.

The main indie game I tried at the show was Path of Exile, a Diablo clone with not much to it. The user interface reminded me of Torchlight‘s, but having the health and mana meters on opposite sides of the screen was inconvenient.

That’s about it for the Expo Hall. In tomorrow’s post, I’ll talk about the panels and certain other events which I attended.

PAX Pix 2011, Part Zero: Swaggalicious

RKasa
August 30, 2011
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Got in from Seattle yesterday afternoon, and have been recovering ever since from that most awesome of festivals known as the Penny Arcade Expo. It was our first time going to “Prime”, which was much bigger than the inaugural edition of PAX East we attended last year.

This time around, I took a lot of photos, and now I have to sort through them all. In the meantime, though, check out all the swag and assorted promotional stuff I picked up over the weekend. This pic doesn’t include a few small items I was unable to locate at the time (such as an Angel Slime pin), nor any duplicates. Still, it’s a lot of stuff, and save for the Covenant Grunt plush, the UNSC bumper sticker, and the Video Game Orchestra CD (and the PAX and Halo Fest passes, of course), all of it was free. The League of Legends code is going to a friend, and some of the other items might be recycled or sold, but otherwise, I think I’ll hang on to much of it.

Over the next few days, I’ll post impressions of the show and games, and even more pics—including ones taken during panels, of the Expo Hall, of Halo Fest, and of the best Gordon Freeman cosplay ever. Stay tuned…

Summer of Wii Love

RKasa
August 21, 2011
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Our Wii has been getting a decent amount of playing time these past few months. First there was Chrono Trigger‘s much celebrated arrival on Virtual Console. At the time of its purchase, I also got Toki Tori, an environmental puzzler I’d been meaning to pick up for awhile. Later on, Kirby’s Epic Yarn gave me a nice respite from JRPGs, and not too long afterward, Shiren the Wanderer marked the end of my break.

I didn’t play Chrono Trigger, seeing as how my most recent playthrough was only just last year, via the DS port. Instead, my husband dove into this personal favorite of both of ours (ironically enough, we had named our Wii “Marle” when we had first gotten it). It is, like other Virtual Console offerings, the original game with nothing else added on, warts and all. Therefore, instead of the rich, fleshed-out DS localization, the original Ted Woolsey script is in full effect here. I have no problem with these old Woolsey localizations; the rushed Secret of Mana notwithstanding, he did a bang-up job given the restrictions he had to work with. The G-rated references to “juice” and “lemonade” in bar scenes are pretty silly to our adult selves, though. Localization aside, one interesting thing my husband pointed out in his playthrough was how similar the boss battles are in terms of the number of targets, how they act, and how they must be handled. This lack of diversity is one of the game’s weaker points, and only obvious to us now.

Oh, and before I forget, Chrono Trigger looks magnificent on an HDTV, especially those huge boss sprites. Not to mention the ending which was, this time around, one that neither of us had ever seen before. It was a fun playthrough to watch, and we even learned some new tricks; thanks to RPG Classics’ comprehensive Chrono Trigger shrine for those.

While he was playing Chrono Trigger, I started Toki Tori, and alternated between that and Final Fantasy Tactics A2 in my regular game-playing. Toki Tori is a remake of a Game Boy Color title; it has the same puzzles, apparently, but all new graphics and control options. The goal of the game, a 2D puzzler starring a squat yellow bird, is to collect all the eggs in each stage. There isn’t a time limit, but the bird can’t jump, plus there are restrictions on special moves and items. It’s possible to beat some stages with items to spare, but most of the time, I found myself coming up with solutions that neatly used everything at my disposal. The difficulty ramps up a bit in the final set of stages, which take place underwater and includes a new, albeit limited, floating action.

The WiiWare version favors the Wiimote, with not too much prompt-wise in either the documentation or the game itself for those of us who prefer the Classic Controller. Also, with its forty stages (not including tutorials), it feels shorter than it should be for a game of this type. Still, despite these quibbles, not to mention a rather… unexpected ending, Toki Tori is fun and worth checking out for puzzle fans.

Kirby’s Epic Yarn was the next game to keep the Wii busy. Although I haven’t played the entire series, I have loved Kirby games since the very first one on the original Game Boy. This particular entry might just be the best one of all. Many Kirby hallmarks are present—capturing and using enemies as projectiles, tons of collectables, and an optional co-op mode for starters—but Kirby cannot fly (under normal circumstances), his more elaborate transformations are context-sensitive, and there are no lives, just ways to lose a ton of beads. These differences are just that—differences—and in no way lessen the “Kirbyness” of the game. In general, this is a tightly-designed Kirby with many inspired implementations of its fabric-based theme and one of the best soundtracks ever recorded for a platformer. Only the final boss battle, which could’ve been bigger and better, disappointed, and even then only a little. Currently, even though I’ve beaten it, there’s still tons of doodads to collect (most of which can be used to decorate “Kirby’s Pad” in the hub world), minigames to tackle, and high scores to beat. I expect to be playing this, on and off, for some time yet.

Finally, there’s Shiren the Wanderer, which I came to neglect FFTA2 in favor of. As in the DS port of the original Shiren, we’re in the shoes of the titular silent protagonist, who has come to a strange new land chasing legends and treasure. This time around, his party members are old colleagues, one of which is with you from the beginning. These party members can also be directed to do certain actions, or even controlled individually. Also different this time is how the dungeons are presented. Instead of having to go through the entire thing in one straight line (with breaks along the way in the form of towns), multi-level dungeons are given to you in chunks with as few as three floors and as many as twenty-five, and typically with a brief boss fight at the end. Upon completing most of these, Shiren and his friends not only get to keep their money and items, but their levels as well. If you die, however, you will have all of your non-stored stuff taken away (in Normal mode, anyway) and your levels reset to what they were before you entered that dungeon.

The story this time around is a bit more complicated, not to mention convoluted, with a legendary mansion and mysterious girl as its centerpieces. It all made sense by the end—well, most of it—but the story is mere window dressing for the randomly-generated and sometimes devilish dungeons. As for the other trappings, the music is decent and the graphics are sometimes ugly, but generally okay. This goes for the animation as well, though the slidiness of the characters’ (especially the ferret Koppa’s) walks in non-dungeon areas can be distracting.

That’s it for the Wii games for awhile. Since this Wii binge started, Final Fantasy III (aka FFVI) came out on Virtual Console (on my birthday, no less!) and was promptly purchased, though I have no idea when either of us are going to start it. I also have a few disk-based Wii and Gamecube titles in my backlog. However, the almost-beaten FFTA2 has been neglected for some time now and there’s a decently-sized pile of games for other systems still to play. Time to get crackin’.