It’s the day before we leave for Seattle for yet another awesome late summer weekend at PAX Prime and, as usual, what this means still hasn’t completely sunk in yet. Part of this is likely due to poor sleep and being kept busy with various things, mainly the chores and errands that always have to be done pre-PAX. However, this will likely change on PAX Eve, as it typically does.
In the meantime, I’ve been finishing up a few games and such. First off was the most frustrating Tropico 5 DLC I’ve yet encountered: “The Supercomputer”. The mission included here starts you off in the next-to-the-last era with the regular, bare-bones starting buildings—which is fine. What isn’t fine is the strict time limit to reach the next era, plus the expensive building and maintenance requirements involved. I had a lot of trouble balancing these tasks with keeping my economy from imploding and making sure all the citizens were happy. Eventually, I got through it on my regular difficulty settings, but it took at least a dozen restarts until I found the magic formula.
Next up were an unusual pair of portable games: one was a Game Freak game that didn’t have “Pokemon” in the title, and the other was a non-Game Freak game that did. That first one was HarmoKnight, a downloadable 3DS rhythm game which I beat yesterday. It had been on my radar for quite awhile, and I finally picked it up in the form of a Club Nintendo reward. It was an enjoyable mix of platformer and rhythm game, though some of the harder levels made me wonder if I’m still cut out for this sort of thing. I guess I’ll find out for sure sometime after Hatsune Miku: Project mirai DX gets here next month via Play-Asia.
The non-Game Freak Pokemon game was Pokemon Conquest, which I’d started the day before HarmoKnight and beat today. Aside from some random rounds of Pokemon Stadium at a friend’s place back in the day, it’s the first and only Pokemon spinoff that I’ve played. It also happens to be one with an unusual lineage: made by Tecmo Koei, Pokemon Conquest is a strategy RPG crossover between the Pokemon franchise and the extremely niche Nobunaga’s Ambition. It’s a game that, when it was first unveiled, I thought was never, ever going to be released in the US, but somehow, Nintendo made it happen. I’m kind of glad they did, though; the setting is strange, but it’s a pretty decent all-ages SRPG that happens to feature Pokemon.
Now that I’m through those, I should probably get back to Picross DS, which has continually overwhelmed me with its massive amount of content. Fortunately, I don’t have many more puzzles left to go (I think), and then I don’t plan to play anything else this series for awhile, not even after Picross 3D 2 comes out here (at least, I hope it comes out here). However, part of me also wants to start up a proper Game Freak-made Pokemon again with Pokemon X. This is the last Pokemon game I need to play in order to consider myself caught up with the series; as much as I love Hoenn, I’ve no plans to play Omega Ruby or Alpha Sapphire. Also, after X, I will have played a game in every major Pokemon setting except for the first generation’s, though I suppose I can always check out Kanto in SoulSilver‘s postgame if I really want. I’m still not 100% sure I should be playing a new main-series Pokemon game less than a year after beating SoulSilver, but hopefully it won’t wear me out on the franchise too much.
Finally, I suppose I should explain the “picks” part of this post’s title. For some time, I wrote annual “Gaming Roundup” posts where I listed everything I played in a given year and some brief impressions. Unfortunately, these posts took a lot of work to compile and I slacked off on them after the 2011 edition. I decided a little while ago that I’m going to bring back year-end wrapups, but do them differently: this time, I’m only going to talk about my top ten favorite games that I played this year, and maybe a few others that left strong enough impressions. Recently, I went through the games I beat so far this year and put together a preliminary list, and it’ll probably be rewritten a few times before 2015 bows out. I can’t say this has been a fantastic year, gaming-wise, though there have been a few really great games that I’ve played. Of course, there will be more about said games, and others, around the end of the year.
Just got back from Portland yesterday. It was an exhausting trip, filled with plenty of walking and foodie’s food. I had wanted to write this post either right before or during the trip, but a lack of sleep got in the way. However, I managed to catch up, somewhat, last night, so here I am.
To start off with, at the beginning of this month, I beat Shin Megami Tensei: Devil Summoner 2: Raidou Kuzunoha vs. King Abbadon, an action RPG which has one of the longest titles of any game I’ve ever played. In terms of both gameplay and plot, it was better than the first Raidou game, which I beat earlier in the year. New features—such as the ability to summon two demons at once; better accessibility to the Gouma-den, where new demons can be fused; and a negotiation system which, despite its usual tediousness, is the best I’ve seen in all of MegaTen—were quite welcome, though some repetitive elements stood out as the game’s greatest flaws. By that, I don’t mean the reuse of much of the previous game’s assets, which I didn’t mind at all. Rather, what bothered me was the overdone recapping, and even more, the obviousness with how the story’s branches were handled. Every so often, roughly once a chapter, a character would ask a rhetorical, philosophical question that basically asked Raidou to choose between revolution and the status quo. The answers to these ham-fisted questions don’t matter until the very end of the game, and even then, there is one final barrage of inquiries right before the branching path is settled upon. Despite these nitpicks, Raidou 2 was a decent game, though hardly the best MegaTen I’ve played.
A few days afterward, I finally finished reading a manga series which I had first sampled over fifteen years ago: Barefoot Gen. My first experience with Gen came with a copy of Volume 2, picked up cheaply at a certain bookstore in Philadelphia. Some years later, I picked up a used copy of Volume 3, but I didn’t buy any more of the series until last year, when I picked up the first and fourth volumes. Around then was when I learned that my older volumes were heavily abridged, and that the current edition, published by Last Gasp, is complete and uncut. Therefore, I repurchased volumes 2 and 3, and, later on, the last six books as well.
A semi-autobiographical tale inspired by mangaka Keiji Nakazawa’s childhood, Barefoot Gen tells the story of Gen Nakaoka, an elementary school-aged boy who survives the atomic bombing of his hometown, Hiroshima. By the end of the first volume, the bomb has dropped, and the story truly begins. Subsequent volumes find Gen making new friends, being discriminated against, and raging at not just the Americans who dropped the bomb and occupied Japan, but the Japanese Emperor and politicians who were so eager to wage war in the first place. It is, as noted in the always excellent ANN column House of 1000 Manga (spoilers in link), an angry manga, and sometimes, especially toward the end, Gen’s anger gets to be a little too much. The last few volumes are rather tedious at times, even as it explores the Japanese side of things during the Korean War; as a sign of the plot wearing thin, the final tragedy that befalls Gen and his group is one which, startlingly, doesn’t have much of a direct tie to the atomic bomb. Gen is also a violent manga; atomic bomb aside, it hews to the shonen manga tropes of its time, with lots of hitting and fighting, often between adults and children. Despite its pacifist message, seeing Gen so eager to physically fight people who dismiss his anti-war views is more than a bit disarming. Also, without giving anything away, in one of the later volumes Gen does something in the name of his personal philosophy that is so lacking of empathy and maturity it’s astounding. It’s an important manga, probably the best I’ve ever read about Japan during that era, but it’s also rather dated, and at least one of the included forewards was undesirably diversionary from the manga’s basic premise. It might’ve helped if the manga was broken up into chapters, as they were originally serialized, but instead, the manga flows together as one long story, broken up only by its separation into ten books. I recommend the first few volumes, but if you don’t want to stick with it after that, I really couldn’t blame you.
After Gen was wrapped up, and between new volumes of Nisekoi (aka the harem manga for people who normally dislike harem manga) and the always charming and hunger-inducing What Did You Eat Yesterday?, more games were played! I started, and am still playing, a Japanese copy of Picross DS, which I picked up on the cheap during Play-Asia’s annual Spring Sale. There’s nothing much to say about it besides that yeah, it’s Picross, though the zoomed-in 15×15 puzzles took me a little getting used to, not to mention the menus in a language that I can’t understand very much of. Right now, I’m currently stuck on a couple of flower-themed puzzles in Normal mode, though I’m sure I’ll push through them soon enough.
I also cranked through a few short games on Steam. First up was Escape Goat, a room-based puzzle game a la Adventures of Lolo and Toki Tori. It’s a solid entry in this genre, structured to encourage experimentation, and with precise controls and well-designed, if sometimes frustrating, puzzles. If you like this sort of game, as I do, you’ll like Escape Goat—enough said.
Second was Octodad: Dadliest Catch, whose controls were the opposite: intentionally difficult to master. This game, about an octopus trying to live as a normal suburban father in a nuclear family, revels in the ridiculous. Everyday tasks, such as mowing the lawn or picking out the perfect apple at the supermarket, are much harder when your arms and legs are tentacles and you want to blend in with actual humans. The story takes some interesting turns, and although I felt somewhat partially robbed of my final victory due to where a certain object landed, I found Octodad to be a neat little game overall. The pair of included bonus episodes were worth playing through as well.
The third short game I played through before leaving for Portland was the shortest and least interactive of the bunch: a wordless visual novel called A Bird Story. Produced by the developer of To the Moon, this is a similarly sentimental journey. In it, a young boy, who goes through the motions at school and is interested in flight, rescues a bird. It’s kind of cloying at times, and because of that, whether or not you’d like this would depend on your natural tolerance for such things. Thankfully, the length is just right, and most everything about it is simple and straightforward.
Now that I’m back, and catching up on my sleep, I think I’ll continue going through some other short games in my backlog, which I may or may not write about here. I also picked up Legend of Dungeon again recently, which has improved since the last time I played it, thanks to some patches. It’s now not as unfair as before, though it still lacks some of the refinement and balance of better roguelikes. Goat Simulator is also in my “Now Playing” list, though I’m not sure when I’ll go back to it.
I also may start the last unplayed PS2 game I have left in my backlog (if you don’t count Valkyrie Profile 2: Silmeria, which I’ve put up for sale): Sakura Wars: So Long My Love. I may start that this week, depending on how I feel; we’ll see. At any rate, it’ll definitely get played sometime soon.
For the past week, I’ve been alternately too tired or too busy to play games. Right now I’m both, since my new desktop machine is due to arrive tomorrow and I still haven’t finished backing up the old one. I’m really looking forward to setting everything up once it gets here, but it’ll also be a little while before I settle into a normal routine again. Oh, and I still have some sleep to catch up on.
After beating Steins;Gate and a trip to see family, I settled back down in front of Steam and started up Frozen Synapse. However, it was more difficult than I had expected, plus the campaign’s story is a jargon-filled stew that, at its very core, isn’t novel enough to justify its complexity. Therefore, I put it aside and booted up Half-Life.
Protagonist Gordon Freeman is, like S;G‘s Okabe, a physicist involved with fantastical research, but that’s where their similarities end. Gordon is a professional as opposed to a mere student, talks way less (as in, not at all), and, I imagine, plays lots of Quake when he’s not working. The nature of his research at Black Mesa is barely explained and, after something goes wrong with the day’s experiment and the game begins in earnest, you’re only ever given as much information as you need. The narrative flows naturally in this way and, aside from the loading screens and occasional bug, so does the game itself. Half-Life is wonderfully designed (aside from the aforementioned bugs, plus the lack of a subtitle option) and doesn’t feel as old as it is; I was afraid that the graphics would be blockier and jaggier than they actually were. It’s obvious as to why it’s held in such high esteem.
Not long after wrapping up Gordon’s adventures (for now), I dug into two expansion packs, Blue Shift and Opposing Force, which has you play as Black Mesa security guard Barney Calhoun and US Marine Corporal Adrian Shepard, respectively. Even though it was made later, I played Blue Shift first; it was short and had a limited selection of weapons, but expanded on Half-Life‘s dry and dark humor, making for a light but yummy snack of a game. Opposing Force was meatier and the most difficult of the three that I played; it had some interesting new weapons and enemies, and both added to the original game’s story and echoed it in certain ways, or at least more than Blue Shift did. By the time I had wrapped it up, I was ready to take another lengthy break from first-person shooters. I’ve been meaning to start a JRPG of some sort (either a MegaTen game or Rune Factory 4), but have run into the whole tired/busy problem.
Instead of games, I’ve been spending my leisure time reading and, along with bitprophet, finally finishing up Gundam Build Fighters, the most recent anime in one of Japan’s biggest cash cow franchises. The premise of this show is even more commercialized than usual: instead of a story of war, politics, and giant mecha, here we have a lively tale of kids battling with Gundam plastic models (Gunpla) on special playfields where they’re brought to life. This type of story is not new to anime—it most reminded me of CLAMP’s Angelic Layer, which features battles between user-customized dolls instead of robots—but it’s new(ish) to Gundam, and was pulled off rather well. Once again, the scientific stuff—in this case, the technology behind the “Gunpla Battle” game—is barely touched upon; for most of the series, pretty much all we know is that the mysterious “Plavsky particles” make it possible. Rather, the important parts of the series are the characters, Gundam models, and the international tournament in which they all come together.
The core story involves Sei Iori, a boy who loves Gunpla and is a talented builder of them, but isn’t very good when it comes to the fighting aspect. One fateful day, he meets Reiji, a strange kid who, as it turns out, is very talented at Gunpla battling. The two of them team up with the goal of making it to the Gunpla Battle World Tournament. It’s worth noting that there was an earlier OAV series with a similar Gunpla-based focus, but Gundam Build Fighters is a wholly new story.
All of the characters, as cliched as they can act at times, are fun or at least interesting, and they’re lovingly drawn, with some of the best gag expressions I’ve ever seen in an anime series. The Gunpla battles themselves have a stunning level of care put into them, and are generally a treat to watch. As for the story, it’s predictable (and is basically one big commercial for real-life Gunpla), but this is one series where the journey is just as important—or perhaps moreso—than the destination. Some previous experience with the Gundam franchise is recommended, as not only are there tons of little bits of series fanservice, but it is also nothing like the other, more serious shows. Still, it’s a quality production and a lot of fun, and I hope it doesn’t ultimately get overlooked in favor of whatever shows are super-hot at the moment. If you’re in the US or Canada and want to check it out, the entire series is legally available on YouTube, fully subtitled in English.
I wasn’t excited for E3 this year. Of the games I knew that were coming out, there wasn’t much that I absolutely needed to see more of, and my anticipation for the as-yet-unannounced was low. It turns out that I was right to skip the Microsoft and Sony press conference streams, as there was practically nothing of interest to me in the liveblogs that I read (well, there wasHalo 4, but I’m doing my best to avoid spoilers for it at the moment). The following day, I caved and watched Nintendo’s presser, but found it to be sorely lacking.
After several days’ worth of coverage, only one new game piqued my interest, and that was “Project P-100”, a crowd management action title, directed by Platinum Games’ Hideki Kamiya, that seems to have gotten barely any attention from the press at all. This game is similar to his earlier Viewtiful Joe in its Super Sentai aesthetic, and the basic concept of controlling a crowd that turns into weapons to beat giant villains is pretty awesome. The one thing about this game that came as a disappointment was that it is for WiiU, a system I don’t have any interest in getting. Other than that, and a welcome reminder that the 3DS Paper Mario exists and is on its way, there wasn’t anything for me.
In the meantime, I’ve been continuing on with my main personal goal for 2012: reducing my backlog as much as possible. April is the current record-holder month with seven games beaten, including one (Soul Nomad & the World Eaters) that took me nearly 45 hours, and the two Pinky:st DS titles that I reviewed in my previous post. Some highlights these past few months include the DS remake of Dragon Quest VI, massively moe and just plain charming doujin shop sim/dungeon crawler Recettear: An Item Shop’s Tale, bare-bones browser-based JRPG Parameters, fantastic expansion pack Tropico 4: Modern Times, and Pokemon White Version, which I’ve written about before and was top-notch all around.
There was also Halo: Combat Evolved Anniversary, played co-op with my Halo-detractor husband. We had a good time, playing the game with the new graphics and old soundtrack, though I have some quibbles regarding the former. The new maps are brightly lit compared to the original versions, which, along with the whole co-op thing, made the game’s scariest moment a bit less so. Also, some of the new character models were lacking, especially Sergeant Johnson and 343 Guilty Spark. More than anything, I’m now cautiously optimistic about Halo 4.
I also played a couple of platformers, namely The Legendary Starfy on DS and Ratchet & Clank for PS2. Starfy was a decent game with a lot of character, but it was also much wordier than I expected, with more cutscenes than is average for a platformer. Ratchet is not as good as its first-party brethren Jak & Daxter: The Precursor Legacy and Sly Cooper & the Thievius Raccoonus and also has some irritating bugs. However, the weapon/gadget system at its heart is well thought-out, and the storytelling, which is similar in tone to Jak and Sly, is enjoyable enough.
There have been a smattering of others, including the two Izuna games, mystery dungeons with an emphasis on humor and fanservice, and, on the negative side, vague endings that lack so much as a credit roll or “The End” text before dumping the player into Postgame Territory. I also beat the puzzle game RUSH and attempted to play EDGE, but the bad controls and mediocre design of the latter led me to quit. Finally, over the weekend I played through Breath of Death VII, a parody RPG that resembles an early Dragon Quest and contains jokes and references that range from the silly to the sillier; despite some design quirks, it’s well worth a play if you love the genre.
That’s it for what I’ve beaten these past few months. As for what I’m actively playing right now, I’m approaching the end of “The Journey”, aka the main game in Persona 3 FES. This RPG has been unlike most others I’ve ever played, in a good way, and I hope to write about it at length later on. I’m also playing Dance Dance Revolution again (SuperNOVA 2, specifically); after a long ordeal, a couple of new, working pads arrived yesterday.
Once I wrap up “The Journey”, I plan to put Persona 3 FES aside for awhile before taking on the bonus episode “The Answer”. Right now, I’m considering starting de Blob 2 and/or Dragon Quest Monsters: Joker 2 as my next game (or games). As usual, we’ll see.
February was a productive month, gaming-wise. After completing Tropico 4‘s campaign, I went ahead and played On the Rain-Slick Precipice of Darkness, Episode Two, which was more of the same Penny Arcade-themed adventuring, albeit with a gimmicky end boss. There was something of a cliffhanger at the end, though, and given that Episode Three was cancelled, I would have to rely on Penny Arcade’s own documents should I wish to know the rest of the story. (ETA: Pete has informed me that Zeboyd is working on Episode 3. Huzzah!)
I also took up Pokemon White again, where, among other things, I added the last three Gym Badges to my collection. There was also a handful of new story events to play through, where Team Plasma continued in their quest to free Pokemon everywhere from trainer oppression. Compared to past Pokemon enemy squads, Team Plasma is easier to empathize with, though no more or less devoted to their cause. Their leader, the enigmatic N, is certainly the most memorable such character that I’ve yet seen in the series. Although I’ve set the game aside again, largely for practical reasons (Pokemon White has a season-based system that uses the DS’ internal clock, and I haven’t seen Winter or Spring yet), I’m looking forward to taking on Victory Road and the Pokemon League.
Tropico 4 was also revisited, much earlier than I thought I would. This time, it was to play the first two DLC missions. The one contained in the “Junta Military” pack was quite challenging, while the “Plantador” mission had a thick streak of humor, with its pop-culture friendly occult theme. In between all of this, I made a lot of progress in Sonic Colors, finally beating it on the 28th. It remains a wonderful Sonic, and simply a great platformer in general.
After all that was wrapped up, I decided to go back to the Halo franchise with the next game in the series, Halo Wars. I was already familiar with developer Ensemble Studios’ work through Age of Empires II, and therefore expected good things from what wound up being their final game. Thanks to Halo Wars‘ interesting missions and marvelous control scheme, I wasn’t disappointed. By necessity, it’s a lot simpler than PC RTSes, but far from dull; it’s probably the most fun I’ve had with a Halo game since the original. Sadly, the campaign was over fairly quickly, but on the plus side, it gave me my last beaten game of the month.
The PS2 port of Baroque was decided upon as my next game, and the first one for March. I started it yesterday and played for the better part of the afternoon, but decided to drop it in the end. It’s a roguelike, but with action, as opposed to turn-based, gameplay, which is unusual for the genre. Nevertheless, it has roguelike-style difficulty, complete with randomly-generated dungeons and being booted back to the starting area at Level 1 every time you die. I died quite a bit early on, but made progress at a steady pace, and then, not very long after starting over yet again, I came across the Experience Wings.
The Experience Wings are a piece of equipment that boost the amount of experience points one can get from each defeated monster. Needless to say, they make level grinding much easier, lessening the pain I felt just on Normal difficulty. However, after going through several floors, I play through a story event that sends me back to the beginning, at Level 1. After making it so that the Experience Wings can be carried over to this new session, I do it all again, though it’s much more monotonous this time, and the same thing happens. While reading some info about the game afterward, I found that progression is determined not by what floor of the dungeon you make it to, but whether or not you can fulfill the arbitrary and oftentimes vaguely hinted-at goals given to you by the macabre, dull, and badly voice-acted NPCs. Upon learning this, I could readily envision the tediousness this would entail, and promptly decided to give it up.
So, what’s on the agenda next? As I said before, I’m on hiatus from Pokemon White again; also, I don’t think we’ll be tackling Final Fantasy Crystal Chronicles‘ tough endgame again anytime soon. Right now, my plan is to continue on with more Halo games I haven’t played yet, namely Halo 3: ODST and Halo: Reach. I also have Halo: Combat Evolved Anniversary in my backlog, which I’d like to play co-op, but that’s not as big a priority. I also want to start another JRPG, though I haven’t settled on which one yet. Tales of the Abyss, perhaps?
How many games will I beat in March? Stay tuned…
Special Stage: Congrats once again to my friend and fellow Citadeler Tarale on her recent engagement! The incredibly geeky story of how she proposed to her boyfriend, via Team Fortress 2 and with some special help from Valve, made Kotaku Australia; here’s the story!
Xenogears is one of those games that I had long been curious about, but didn’t want to play, both because and in spite of its reputation. I didn’t like Xenosaga Episode I: Der Wille zur Macht, mainly due to its sedate dungeons and overlong, poorly-paced cutscenes, and didn’t relish the thought of slogging through its predecessor. However, at the same time I wanted to know why Xenogears has commanded such attention. Therefore, when a new Let’s Play of the game by The Dark Id appeared at the Let’s Play Archive, I dove right in.
"All shall be mocked accordingly..."
It turns out that I had made the right decision. Seemingly every new dungeon, rare as they are, is described as the worst in the game; the story has some interesting ideas but is needlessly complicated, poorly plotted (a good example: that old JRPG trope, the battle tournament, is used as a major plot device twice), and did far more telling that showing; and from the looks of it, the staff had just about run out of money when it came time to work on Disk 2. The Dark Id’s humorous asides, especially the ones involving sandwiches and/or Citan Uzuki’s dickery, plus his astoundingly thorough analysis of the game’s quirks, made all this the more digestible; I’m sure I would’ve experienced Chrono Cross levels of rage if I had played this myself.
This Xenogears Let’s Play is easily the longest one I’ve ever read, and took me some time to get through. Not long after wrapping it up, I decided to play a new game. I’d already finished with Rune Factory: Tides of Destiny and given up on the original Tropico after finding it a bit too difficult, and not the fun kind of difficult, either. Also, I wasn’t in the mood to pick up Sonic Colors or Pokemon White again. There was that damned-cute-moogle-fest Final Fantasy: Crystal Chronicles, which I was (and still am) playing co-op, but I needed a new single-player game. So, the new game I played? Bayonetta.
For the next three days, I found myself immersed in the closest thing to a masterpiece I have played in the action game genre. Bayonetta is marvelous, with slickness, humor, and outrageousness in abundance. The title character is a strong, sexy, and ridiculous gunslinger and a great follow-up to a certain other beautiful mixed-race hero from an earlier game by the same director. Speaking of which, there are several homages in Bayonetta—some more subtle than others—to director Hideki Kamiya’s previous works, to certain classic Sega franchises, and to games that have nothing to do with either. My favorites of these made me absolutely giddy as this already awesome game got even better. In general, there is so much love put into Bayonetta—love of the heroine, her world, the action, and of video games themselves. I don’t know if I’ll ever experience another game like this again.
The next game I played only took me two days to get through, but has a much longer title: Penny Arcade Adventures: On the Rain-Slick Precipice of Darkness, Episode One. This was one of several games I picked up during this past December’s Steam Holiday Sale, and more or less on a whim at that. The game itself plays a bit like a weirdly balanced JRPG with notes of graphical text adventure and that unmistakeable Penny Arcade feel. It was all right, and I’m looking forward to playing Episode Two sometime soon, in part because one of my favorite PA characters, Charles, makes an appearance.
After Rain-Slick Precipice, Episode One, I decided to delve back into the world of Caribbean island management—but via Tropico 4 this time. The campaign this time around is a long one at twenty missions, but once I got to a certain point, the previous starting islands began to make repeat appearances. This was a little disappointing, as were the moments when the sound would stop during a cutscene, or the one time during the final mission where the game crashed, or the few other tiny annoyances presented themselves, but I was still engrossed for a good two weeks. In many little ways, it’s much improved from Tropico 3, and I ended up spending more time playing it than I do with a lot of JRPGs. I wrapped up the campaign this afternoon, so now I’m going to step back from it for awhile and catch up on just about everything I’d been neglecting in the meantime, such as, well, this blog…
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